All posts filed under: MEGAPHONE: News & Events

featuring Poetry Room news and announcements

Ninetieth Anniversary

NUMBER NINE: The Woodberry Poetry Room at Ninety

Ninety years ago, in May 1931, the Woodberry Poetry Room first opened its doors. When the library was founded, it represented the convergence of many technological, cultural, and socio-political movements, which we will explore (in articles and oral histories) throughout the coming year. Just as the Poetry Room did not come into being in an historical vacuum, this anniversary be considered apart from the time in which we find ourselves—in the midst of a global pandemic and of a renewed outcry for social justice (what Harvard professor Vincent Brown has called “America’s everlasting not-yet”). During this unusual anniversary year, the Poetry Room is committed to finding ways to engage and uplift our audiences, through a range of virtual events that continue our mission to “live the questions now…..” Our 90th anniversary season of events will begin in March-April 2021 with online readings by Sonia Sanchez, Tongo Eisen-Martin, Anne Boyer, Lyn Hejinian, and Claudia Rankine (with an introduction by Prof. Henry Louis Gates, Jr.) and will culminate in 2022—pending permission to host large in-person events again—with an …

Triptych of Fall 2020 authors

Fall 2020 Calendar of Virtual Events

“It’s time to live in all the rooms….”  We are proud to present our Fall 2020 season of virtual events, featuring readings, talks, and performances by Cathy Park Hong (in conversation with Maggie Nelson), Etel Adnan, Alice Notley, M. NourbeSe Philip, Cecilia Vicuña, a roundtable on “Ralph Ellison at Harvard,” and more. All events are free and open to the public (with a maximum capacity of 500 attendees). To attend, all you need to do is register by following the link under each event on our Website (a Zoom link and password will be emailed to you). And, in an effort to foster the same warm and welcoming environment as our in-person programs, we will be dedicating the first 10 minutes of each event to an informal, friendly Meet-and-Greet, which will allow audience members to say “hello” before the official program begins.  To be added to our Mailing List, email us at poetryrm@fas.harvard.edu. Upcoming events are also publicized via Facebook and Twitter.

Terma installation by Stanley and Farooq

WPR CREATIVE FELLOWSHIP & GRANTS: Announcing the 2020-2021 Recipients

The Woodberry Poetry Room is pleased to announce that the recipients of this year’s WPR Creative Fellowship are Jared Stanley and Sameer Farooq for their collaborative project, “A Lip Smack, Laughter, Paper Rustles.” It also gives us great pleasure to announce that Harmony Holiday has been selected as the recipient of this year’s WPR Creative Grant for her project, “Griot : Ghost” The Poetry Room’s fellowship and grants program offers stipends to poets,artists, and scholars to undertake creative projects that would benefit fromthe resources available at the WPR archive, as well as from time spent atHarvard University as a whole. Past fellowship recipients have included Sawako Nakayasu, Tracie Morris, Kate Colby, Dan Beachy-Quick, Erin Moure, Eileen Myles, and Fanny Howe. Poet Jared Stanley and interdisciplinary artist Sameer Farooq‘s project explores the incidental, non-poetic sounds an archive of literary readings collects—the rustling of paper, the clearing of a throat, authors’ ad-libbed banter, um‘s and pauses, intermittent laughter, and sounds and sirens from the outside world—all of which work in concert with the writer’s voice to create …

HEAR YE: Announcing the 2017-2018 WPR Creative Fellowship & Grants

I begin to go hear. –Charles Olson The Woodberry Poetry Room is pleased to announce that Kate Colby (of Providence, Rhode Island) is the recipient of the 2017-2018 WPR Creative Fellowship ($3,500) for her project “Mist on the Mirror: Writing in Olson’s Breath.” The annual WPR Creative Fellowship invites poets, writers, multimedia artists, and scholars of contemporary poetry to propose creative projects that would benefit from the resources available at the Poetry Room and to generate new work that further actualizes the WPR’s collections and contributes to the culture at large. Previous recipients of the fellowship have included Eileen Myles, Fanny Howe and (most recently) Erín Moure. Due to the unprecedented number of applicants and remarkable quality of the proposals, the committee will also be awarding two WPR Creative Grants ($1,000). The 2017-2018 grantees are Lillian-Yvonne Bertram (of Lowell, Massachusetts) and Christine Finn (of London, England). Finn’s grant is jointly funded by the Heaney Suite at Adams House. Past recipients of the WPR Creative Grant have included Dan Beachy-Quick and Lindsay Turner. The WPR Creative Fellowships and Grants are …

WPR CREATIVE FELLOWSHIP & GRANT: Announcing the 2016-2017 Recipients

As we prepare to welcome this year’s WPR Creative Fellow Eileen Myles (who will be present on campus throughout the month of April), the Woodberry Poetry Room is pleased to announce that the recipient of next year’s WPR Creative Fellowship is Erín Moure for her proposed project,“RESONANCE: A Modernism.” Moure will receive a stipend of $4,000 (generously funded by the Dr. Michael and Teresa Anagnostopoulos Fund) and plans to be in residence in April 2017. During her fellowship, Moure will travel from Montreal to sit in the Woodberry Poetry Room and engage in a journey of listening in situ to the recorded voices of four American women modernist poets, seeking an auditory trace that will lead her into a new piece of writing, her own trilingual take — for her ear is attuned to French and Galician as well as English — on the grain of the American modernist voice in poetry and on what it provokes today. Moure says: “I would start by placing the cavity of my ribs, my ears, and the cells of my own cerebrum in the …

A CONCERT OF WORLDS: On Ed Roberson & Joseph Donahue

It is a profound honor to introduce Ed Roberson and Joe Donahue, two poets who have enormously enabled my own writing and thinking, influencing me in ways I am still trying happily to discover. They are poets for me, and I trust for many here this evening, whose work is of such an astonishing, acute clarity and force that reading them is to learn how to inhabit the world, our world, more wholly; it is to learn, as Donahue’s most recent collection suggests, how to have our “ear turned to the earth / hearing the roots, / the rocks, the layers / of sediment, the residue / of oceans and heat / torn off from a star” (Dark Church, 151).