Author: Christina Davis

Announcing the 2019-2020 WPR Creative Fellowship & Grant Recipients

The Woodberry Poetry Room is pleased to announce that the recipient of this year’s WPR Creative Fellowship is Sawako Nakayasu for her project, “Sounds of War and Not-War, 1941-1945.” Three WPR Creative Grants are also being given this year. The recipients are Jasmine Dreame Wagner, Brian Teare, and Tongo Eisen-Martin. The Poetry Room’s fellowship and grants program offers stipends to artists and scholars to undertake creative projects that would benefit from the resources available at the WPR archive, as well as time spent at Harvard University as a whole. Past fellowship and grant recipients have included Dan Beachy-Quick, Fanny Howe, Kate Colby, Christine Finn, Tracie Morris, Erin Moure, Eileen Myles, Tess Taylor, and Lindsay Turner. Some grants are selected through the fellowship application process; others are the result of a direct commission from the WPR curatorial staff. SAWAKO NAKAYASU | SOUNDS OF WAR AND NOT-WAR, 1941-1945 During her WPR Creative Fellowship, Nakayasu will work on an ongoing book project that encompasses a range of her multilingual writing practices. This work will be based on the …

YOU ARE UNSUBSCRIBED: Some Activisms of Carol & Robert Bly

I’ve long been interested in individual actions—and minimalist instances of resistance—that testify against a seemingly insurmountable power. It’s no wonder, I suppose, that this interest has been revived of late. As a poet, I have been especially fascinated by the role of refusal: particularly, actions on the part of writers—those whose very material is the language—to use “No” (and silence itself) as a dexterous instrument. In an article in the Boston Review, I explored several writers’ renunciation of writing as a “not-saying” that “becomes language,” describing how for some poets the removal of themselves for a time from certain modes of production and/or from participation in the so-called publishing industry is not simply a negative (or subtractive) act but an action that offers a positive and proactive means to articulate their convictions. Even in this small gesture we are reminded, as Paul Celan writes, of “Man as the being who can say ‘No.’” Over the course of the past century, poets and writers as varied as Lawrence Ferlinghetti, Amitav Ghosh, Robert Lowell, Sharon Olds, Alice Oswald, …

“ARCHIVE OF THE MOUTH”: Tracing Baez, Plath, Sun Ra, Sexton, Et Al Back to a Single Pivotal Recording Studio

This was supposed to be a story about one of the nation’s first “library of voices” and its phonographic instigator Frederick C. Packard, Jr. And, in many ways it remains so. But, as poet Lyn Hejinian has observed, people are collecting-experiences, and if one genuinely follows a single human being one inevitably happens on someone else who forms the fulcrum of a very different set of phenomena and occurrences.

In this story that person is a quiet, self-taught Boston audio engineer Stephen B. Fassett (1914-1980), and this article is a preliminary attempt to honor his generative, facilitating and unsung role in the early careers of countless mid-century poets, jazz & blues musicians, and folk music revivalists as they converged on the burgeoning epicenter of 1950s and 60s Cambridge/Boston.

HEAR YE: Announcing the 2017-2018 WPR Creative Fellowship & Grants

I begin to go hear. –Charles Olson The Woodberry Poetry Room is pleased to announce that Kate Colby (of Providence, Rhode Island) is the recipient of the 2017-2018 WPR Creative Fellowship ($3,500) for her project “Mist on the Mirror: Writing in Olson’s Breath.” The annual WPR Creative Fellowship invites poets, writers, multimedia artists, and scholars of contemporary poetry to propose creative projects that would benefit from the resources available at the Poetry Room and to generate new work that further actualizes the WPR’s collections and contributes to the culture at large. Previous recipients of the fellowship have included Eileen Myles, Fanny Howe and (most recently) Erín Moure. Due to the unprecedented number of applicants and remarkable quality of the proposals, the committee will also be awarding two WPR Creative Grants ($1,000). The 2017-2018 grantees are Lillian-Yvonne Bertram (of Lowell, Massachusetts) and Christine Finn (of London, England). Finn’s grant is jointly funded by the Heaney Suite at Adams House. Past recipients of the WPR Creative Grant have included Dan Beachy-Quick and Lindsay Turner. The WPR Creative Fellowships and Grants are …